About me
Welcome,
my name is Valerio and I am, among several other things, a music photographer based in UK. My pictures appear here, there and wherever people wants them. On the web, on some magazines, even framed hanging on some walls. If you want any, all you have to do is contact me.

I also enjoy writing about music (I don’t agree with famous Zappa’s quote that “is like dancing about architecture”), so I often complete the images with articles, which helps to spread them to wider audiences. Right, so far, isn’t really original, is it?
It is plenty of folks down in a pit in front of a stage. First we chase rockstars with a camera, then picture editors with a phone asking to be considered for some publication.
So what?
Well, to differentiate and complicate my life, in this digital world, I am photographing artists using a couple of heavy, old, manual cameras loaded with rolls of 35mm black & white film. Yes, those silver halide emulsions posed on acetate that allow only 36 frames; that need to be carefully handled, developed, fixed, printed in a lightproof darkroom using smelly eco-unfriendly chemicals. All of this to get to a monochrome image, in an era where on digital cameras the same can be seen instantaneously, sent wireless and printed in seconds, eventually in splendid colours.
That must sound quite a serious form of self-harm.
Everything started, 5 years ago, those days I could still see few photographers loading films, probably as frequent as seeing someone putting a CD in a portable player today, you know it is not going to last, I knew it wasn’t. Digital era moved so fast that I am nowadays and for a long time the only one left with 35mm boxes on the pit. I am also the last one swearing f… word (an the many colorful Italian alternatives) the many times the roll ends when the best moment finally arrives. Around me digital equipped troops enjoy the images on colorful displays and showing hundreds shots to friends and young fans.
I tend to convince myself I must be seen as a mixture of romantic-naive-retro’ sort of person but judging from the way people stare at me when I open the back of the camera, I must probably look like someone landed from a remote, primitive planet.
Which I am not. Well, actually I am Italian (you may have guessed), but Italy is still within the borders of this galaxy, isn’t it?

Reflecting on this I concluded that, quite possibly, I own the biggest archive of contemporary live music on B&W film.
Being the kind of person who can’t relax watching TV, I thought that when I have something unpublished, curious, that fits with me, I will put down few words and some old-fashion grainy images of modern music to share with you. Bookmark this site, join my myspace friends or sign up to the newsletter to receive updates. Most important, don’t be shy to comment.
I will appreciate.
Thank you
Valerio
PS-a last, important thing, if you are interested in any of the images you see, please contact me, blogs are open discussion, don’t steal anyone photos online, beyond your monitor, there are people and I am happy to discuss your need.





Hey great idea and beautiful pics. I saw your Maximo Park shots at The Line of Best Fit.
Would you mind if I added you to my blogroll?
Perhaps you could add me to yours. Be great to use some of your pics to maybe one day!
Best wishes Vic x
Hi Valerio,
johnpeel, or better, Luca here. Just thought I’d drop a line and say hello.
Great photoes and good piece on The National, now I am getting really curious.
Funny thing is, I notice you’re based in Cambridge. I was there this summer visiting friends and to check out the Palimpsest festival (a friend of mine played there last year). It’s a small world, eh?
Great to see another photog shooting concerts with film. I just started concert photography a couple months ago and am having a blast with my Tri-X. Everyone in the pit looks at me funny when I pop open the back of my camera…
However, I must admit I shoot using a Canon EOS. How’s shooting manual at concerts? I’ve thought about bringing my manual along for the ride, but haven’t yet…
Now that’s quite a sympathic intrcduction. ;) Though I don’t usually shoot concerts, I’m also one of the few people out there still shooting film (especially in my age, I’m 19), mostly without using any automatic. I started with one digital camera - now I still got one digital camera, but several analog ones. I don’t know why, but it’s just more enjoyment to shoot film!
Though I mostly use colour film, I want to start using B/W film as well. The problem is that I don’t do the processing myself (yet) and the costs for processing in a shop are far higher for B/W-film. So I just bought myself some rolls of Kodak BW400CN, that should be good just for a start.
So keep up your work, as long as we use it film will (hopefully) not die!
Cheers from Germany
Daniel
could you please send me your e-mail? i would like to ask you something.
thanks,
dana
Very cool site! As a photographer who shoots a lot of film I really appreciate that you go out of your way to continue shooting it, even as you are drowned in a sea of digital slrs. Paradoxically, monochrome seems to capture something colour simply does not. The feeling, emotion, and atmosphere portrayed here is superb and impactful. Great job, keep it up!
Very nice coverage and review of Fleet Foxes. I missed the ULU show but was lucky enough to catch them in Dublin, Royal festival Hall and Glasgow. I’m the father of Robin, the front man and also the unofficial band archivist and I just wanted to tell you that your approach; 35 mm B&W definitely works! You have captured the band in a very appealing and classic style. Also, your writing is unique as well. As you know, much has and will be written about these guys. You have captured what is special about them in your own special way. Thanks and keep up the great work!